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Thursday, December 22, 2011

FCP problem solved: "Unable to locate timecode" error on batch capture

I spent a long time hunting around online for solutions to this problem and found plenty, but none of them had the virtue of actually working. Having found, almost by chance, the solution that worked, I thought I'd share it. 

Importing footage from two separate Canon Vixia HV30 camcorders using FCP 7, I began having increasing problems with batch captures and then even single-clip captures. It got to the point where the camera couldn't find any in-point or out-point under any circumstance. I tried cleaning the heads, trashing preferences, verifying and repairing permissions and disks - nothing made the slightest difference.

It turned out that the problem wasn't with the computer or the camera - it was with the external hard drive. What finally worked was changing my capture scratch disk. I was using a 2TB LaCie, and had about 150GB free on it, and when I switched to a second mostly empty 2TB LaCie, the problem cleared up instantly. So - if your capture scratch disk is getting toward 90 percent full, and you're having this time-shredding, madness-inducing problem, see if Santa will stuff your stocking with some free storage. 

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), is a profoundly original investigation into the act of listening to music (cast: Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; press: “Remarkable”–The New Yorker; “Stunning”–Chicago Sun-Times; “Sublime”–Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness… full of pleasure and joy….Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the documentary Stage Left, A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: Center for Performance Research, Kunst-Stoff, TheatreFIRST, Stephen Pelton Dance Theater, North Bay Shakespeare. US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress, on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays. Current projects include an experimental documentary about his life in music, and a novel. Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.

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