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Tuesday, July 3, 2012

Berlin Diary, Day 2: Sex Week continued




Volkspark Hasenheide is a large, open-air market for illicit drugs in southeast Berlin that bears a remarkable resemblance to a city park. It sits about two thirds of a mile––what the locals refer to as a kilometer––south of the canal, and is virtually contiguous with the north end of the vast Tempelhof field. Ziggy and I went there once, to Tempelhof, and though we had the former airfield all to ourselves, an Enforcer of Rules rolled up in a little golf cart to inform us that we were required to be attached to one another by a leash. Meanwhile, across the four lanes of Columbiadamm, in the time that it took this custodian of the law to protect the empty Tempelhof field from my marauding, mostly toothless miniature poodle mix, enough money and marijuana changed hands in the bushes of the Volkspark Hasenheide to bail out the euro in several EU member states where the weather is quite a bit nicer than here and everyone naps too much.

Ziggy and I haven’t been back to Tempelhof, and I don’t miss it. What is it but a prim, grim, overblown lawn, while the Volkspark Hasenheide is a jungle, a zoo––it has camels! Every day I unleash my dog at the main Hasenheide entrance, where we bound together up a patchy slope and past the camels––a couple, from the looks of it––in their pen. I’ve watched them molt since arriving here in March, when it was freezing and wet and they were furry, and now that hot and sunny alternates with mild and soggy, all that’s left of the camel coats are unkempt twin tufts clinging to the tips of their humps like clouds snagged on tropical island peaks. The kiddie zoo’s turkeys observed sex week a few days ago by producing a half-dozen chicks. From the fenced-in dog play area just west of the zoo, Ziggy and I hear the donkeys’ ridiculous, digestive protests, and the obscene cries of the peafowl. Every week is sex week to the peafowl.

Beyond the dog run lies one of the park’s busier congregations of pan-African freelance pharmacists. I don’t buy, and maybe it’s because the Hasenheide drug trade is a little blatant for my tender American sensibilities but the more salient truth is that I just don’t like to buy drugs, period. I’m poor, and I’d rather mooch. More to the point, as I get older I find myself feeling that drugs should happen the way Aunt Augusta said the news of a young woman's wedding engagement should come upon her: as a surprise. Like getting smoked out by that trio of young Turks earlier in the day––perfect.

By the way, those kids got me fucked up! I entered the park truly at my dog’s level––no longer jogging but running for the take of running, laughing at the succession of evanescent absurdities that kept welling up in my head, confident in the park's ability to satisfy the next hour's every desire. A fantastic electrical storm had drenched Berlin the night before, and both the dog play area and the adjacent long links were graced by ponds that boiled with shepherds and Dobermans plashing and chasing one another and freaking out at the spray itself. Ziggy swam with the big dogs, he got muddy, he chased sticks and humped a Doberman thigh, and then we took off and made our way, as we do daily, to the park’s highest point, a little hill on the west side built on rubble from the war.

On the far side of this hill, the Volkspark Hasenheide boasts something for which Berlin is justly famous––nudies! The first warm day, I found them, like chanterelles popping up on cue three days after a good soak. To appreciate how comforting I find the nudies here Germany, you have to understand how discomfiting I find Germany. It's not just that I am descended on one side from southern Italians, who hadn’t even moved out of the caves by the time Mussolini was strung up in Milan––apparently they napped through the Iron Age––and on the other side from European Jews, who no longer constitute what you would call a burgeoning population in this wrung neck of the diaspora. Even without getting into a big tizzy over all of that (let history lie, for the moment, under the swirling stone paths and wooded warrens of the Volkspark), and more to the point than any heritage of state-decreed racial inferiority, and leaving aside completely the gay thing (though this was the week in which the world lost activist Gad Beck, thought to be the last gay Holocaust survivor), the most salient element of my discomfort here is that I was raised by Left Coast wolves who didn’t smoke cigarettes, and occasionally crossed against the light, and nothing can make me feel at home in this most exacting of Western nations the way a lawn full of nudies can.

On this day that Ziggy and I danced all over the Volkspark Hasenheide, the sun was out, and so were they.

(to be continued)

Sunday, July 1, 2012

Berlin Diary, Day 1: Sex Week





Ziggy and I were out jogging in Neukölln this afternoon, on our way to Hasenheide Park, when a miniature poodle puppy tackled him. Watching them wrestle, and exchanging such small talk as my German and his English allowed, the other dog’s owner and I blocked the sidewalk, and in the middle of this, I felt a gentle hand on my ass––a middle-aged woman was guiding me out of her way. I thought that was kind of awesome.

Midway to the park, Ziggy expressed a sudden interest in a little cul-de-sac which we usually bypass, and you know, this is his time, so we explored the cul-de-sac, which serves as a sort of exterior courtyard for the old apartment building around it. The smell of pot reached my nose and I looked towards the cul-de-sac’s landscaped central island, where I saw three teenage boys, probably Turkish. I flashed a “you’re so bad and that smells so great” smile, and before long Ziggy and I were chilling with the Turkish teens and exploring the far limits of my German over that blunt.

Did they want something from me? It’s a fair question when a trio of teenaged boys show such smiley interest in a forty-two-year-old dog walker in neon Reebok Zigtechs, green Cutty Sark jogging shorts whose liner is 90 percent de-elasticized (Goat Boutique!), and a wife beater––which they commented on; I caught the word sportiv. By the time Ziggy and I resumed our run, I hadn’t figured it out. I still haven’t. I don’t think they were hooking, not for money anyway; they seemed a little young to be doing it for kicks, and I seem a little old. But the for-all-practical-purposes monolingual middle-aged American encountering German-speaking Turkish youth in Neukölln has to make peace with a little ambiguity, I suppose, and the only thing I can say for sure is that, whatever their motivation, they were intent on smoking me out. The jury’s still out on whether they noticed I was getting aroused by the time I said tschüs.

The problem with those damn Cutty Sark jogging shorts and the busted liner is that the usual cure for jogging erections, which is to keep jogging, backfires. Badly! Everything is bouncing around and getting itself off on that stretched out net, and while Berlin is pretty sex-positive overall, Neukölln has its share of matronly women floating around spookily in their burqas and I was pretty sure that if one of them saw me jogging down the street with this squirrel trying to escape from my shorts I would cause a coronary, or a race riot, or maybe a little orgasm. That woman who cupped my butt cheek earlier might have liked it...

By the time Ziggy and I got to Hasenheide Park, I was very high, and we proceeded to dance all over it.

(to be continued)

Saturday, May 26, 2012

Photo essay: Cannes 2012

As my first Festival de Cannes draws to a close, I am struck pretty much dumb by the experience. Suffice it to say that when Wayne Koestenbaum puts out a second edition of his recent book Humiliation, my ten days here deserve at least a mention, and possibly a chapter. 

To minimize the risk of further damage to my career, I will let these pictures tell their own deceptive tale of my Cannes debut. 


In Cannes, you can never be too rich, too thin, too famous, or too tan.







Toast of the American Pavilion, in absentia



Hometown pride I: Cannes Peaches! And Bobby Barber




Hometown pride II: Kevin Clarke's double spotted in the Indian aisle of the Marché





credits



I love the Brazilian people! (Part I)



I love the Brazilian people! (Part II)



Without Marilyn, this place would just be a punk ass fishing village with a casino.












Best-in-class paparazzo: Jan-Michael Losada



Age and lechery will overcome youth and skill.



I love the Brazilian people! (Part III) - also Norwegians and Mutton Chops. And Jim. And the occasional Scottish pinhead.




I slipped in the rain and banged up this finger 



The lovely and talented Alexandria Sage (Lowell '86), covering the festival for Reuters




Our room with a view, a safe distance from the festival




The horrors of socialized medicine include architecture so good people are dying to get into the hospital.





Cannes dieting tip #1: Eat up the attention, then pick at your dinner.




Jim and I needed subtitles to understand the bizarre language spoken by the Englishman & the Scot. 





Moments later, we shouted at ourselves "NO PICTURES! NO PICTURES!" and put our hands in front of our iPhones. Then Marc got carried away and gave himself a shiner.





42IF I survive Cannes




Palme d'Or for Best Footwear






We had filmmakers from every continent, and conjoined twins.


















Photo credit: Maxim Jago Sam Hobbins (my edits)






Only Cindy Sherman understands (photo credit: Jim Kenney)





Unlike most celebrities, Jane really listens. 



Monday, May 7, 2012

Why do you want to go to Tennessee all the time?

A monthlong US trip began with a film festival in Iowa, paused in Tennessee (see below), and concludes in New York, where Tie It Into My Hand teacher extraordinaire Casimir Alexander has organized a benefit preview screening with live performances by Tie teachers including the one and only Penny Arcade. That's this coming Sunday, May 13th, 2012, 8PM, at the Nuyorican Poets Cafe (236 East 3rd Street in Manhattan). I'm extremely excited about the sequence I'll screen, which builds on what I built for Dubuque where it was a huge hit. (Dubuque is the bomb.)

Please let everyone you know within 80 miles of New York know about 5/13 at Nuyorican Poets. Thank you. 

As for Tennessee:



















































































































































































































































































































































































































































About Me

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.

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