Sunday, March 28, 2010
Saturday, March 27, 2010
James has been finishing his dissertation, and with me it's been one Glitter Emergency emergency after another. Certain household chores have been neglected, like grooming the dog.
This became intolerable after two people in one week shared their opinion that Ziggy was getting fat.
A few days ago Ziggy's Andis E
Tuesday, March 16, 2010
Monday, first day of shooting for The Glitter Emergency, began at dawn and ended many agonies and ecstasies later. Here are some of the results:
Paul Festa as Stringendo in THE GLITTER EMERGENCY
Music by Pyotr Ilych Tchaikovsky
Friday, March 12, 2010
With the Center for Sex and Culture, the congenitally glittery boys and girls over at Comfort & Joy - a Burning Man camp that spreads playa dust (the good kind) throughout the year in SF - is hosting a daylong series of classes and parties tomorrow (Saturday March 13) that include a seminar that can help you get your Glitter Emergency fashion together in time for our big shooting party which is this coming Thursday March 18th at the Supperclub. Capping the day of classes is the ultimate extracurricular activity - the Queericulum Glitter Prom. I'll be the one in seven-inch silver glitter platform boots. They just came in today's mail. You are going to die when you see them.
Queericulum details here.
Thursday, March 4, 2010
Sorry for vanishing - I've been in preproduction for a new film. It's called The Glitter Emergency and it combines elements of silent film, music video, dance film and drag number, set to the second and third movements of the Tchaikovsky Violin Concerto performed by yours truly, live or canned. The video storyboard, which describes what happens in every measure, is posted to the Glitter Emergency Website.
There's much to write about the film but this first post is reserved for a photo series on how to decorate the violin of a mephistophelean superhero, in this case named Stringendo.
Step #1: Hit pawn shop on Mission and plunk down $80 for Chinese violin, bow, case, crumbling cheap-ass rosin, Suzuki Method Vol. 1 and pad of manuscript paper.
Step #2: Strip violin of pegs, strings, bridge, tailpiece, fine-tuners, and tailpiece. Get your sandpaper ready.
Step #4: If you intend to play the violin after makeover, protect the fingerboard and neck with painting tape.
Step #6: Blast Prince in well ventilated area, shaking paint can for two minutes after rattle engages.
Step #8: Figure out something fancy for the ribs. Decide on a piece of holographic contact paper you have not quite enough of, and turn San Francisco upside-down in search of comparable replacement. Six hours later, give up.
Step #12: Remembering theme of your movie, drizzle fine glitter onto wet silver-glitter acrylic paint.
- Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”—The New Yorker; “Stunning”—Chicago Sun-Times; “Sublime”—Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."—San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.
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