The play is written partly in the Boonville dialect known as Boontling. You don't have to be able to harp the ling to get the play, but here's the playwright's glossary in case you want to bone up beforehand (click images for larger versions):
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Tuesday, September 18, 2007
from Boonville to Berkeley: Bulrusher
Eisa Davis's play Bulrusher, which was nominated for a 2007 Pulitzer, is coming to the Ashby Stage in Berkeley Sept. 19 to Oct 21. I'm going Thursday night with a Mendocino friend--it's pay what you can the first weekend.
The play is written partly in the Boonville dialect known as Boontling. You don't have to be able to harp the ling to get the play, but here's the playwright's glossary in case you want to bone up beforehand (click images for larger versions):
The play is written partly in the Boonville dialect known as Boontling. You don't have to be able to harp the ling to get the play, but here's the playwright's glossary in case you want to bone up beforehand (click images for larger versions):
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About Me
- Paul Festa
- Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), is a profoundly original investigation into the act of listening to music (cast: Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; press: “Remarkable”–The New Yorker; “Stunning”–Chicago Sun-Times; “Sublime”–Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness… full of pleasure and joy….Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the documentary Stage Left, A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: Center for Performance Research, Kunst-Stoff, TheatreFIRST, Stephen Pelton Dance Theater, North Bay Shakespeare. US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress, on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays. Current projects include Tie It Into My Hand, a documentary feature about the artist's life, and Heaven Descending, a novel. Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.
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