Wednesday, August 26, 2009
SAVE THE DATE - SF - dirty movies (one mine) at the Castro
A week of sex-film events in San Francisco (http://gv-ixff.org/film/) culminates Thursday, Sept. 17th with the 2009 IXFF Independent Erotic Film competition at the Castro Theatre!
My film is a remix of the audition video I submitted many years ago for John Cameron Mitchell's "Sex Film Project," which became "Shortbus."
Please show up in force and make some noise for me. If I win the audience award, drinks are on me until - well Dorothy Parker said it best:
“I like to drink martini’s, two at very most, three I’m under the table…four I’m under the host.”
From the film festival page:
Step into elegance and enter the Pleasure Lounge upstairs at the Castro Theatre, where the drinks are cold, the dancers are hot, and guests spin to win free prizes to the sounds of live jazz and sultry burlesque by Twilight Vixen Revue. Then head downstairs to see what’s hot as IXFF finalists compete for the audience choice award and $1,500. The screening will be hosted by indie film queen and drag celebrity extraordinaire, Peaches Christ, along with the fabulous Dr. Carol Queen, Ph.D.
When: Thursday, September 17th
Time: PRE-PARTY 7:00 – 8:00 pm, SCREENING: 8:00pm
Cost: $10 Pre-party, $10 Screening
Where: Castro Theatre, 429 Castro Street, San Francisco, CA 94109
- Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”—The New Yorker; “Stunning”—Chicago Sun-Times; “Sublime”—Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."—San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.
- ► 2011 (27)
- ► 2010 (16)
- ▼ August (3)
- ► 2008 (60)