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Tuesday, May 25, 2010

Glitter Emergency - first press



The Glitter Emergency premieres in two days - on Thursday, May 27th - a day after the Bay Guardian's video issue comes out and no I didn't plan that. Nor did I make a ballet film to give the Guardian's dance writer an ideal subject for the video issue, just as I didn't intentionally make Apparition of the Eternal Church on the eve of the Messiaen centenary. You could hate me for having good timing, or you could look at Thursday's weather report.

In any case - here's Rita's story. Favorite quote:

Though Glitter shimmers with rhinestones, confetti, and silliness, like a lot of ballets, its heartbeat is steady and strong. "Do not turn away from the magic inside you," exhorts one of the film's copiously strewn-about subtitles to which our Cinderella responds with the longest batting eyelashes ever seen on a would-be princess.

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), is a profoundly original investigation into the act of listening to music (cast: Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; press: “Remarkable”–The New Yorker; “Stunning”–Chicago Sun-Times; “Sublime”–Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness… full of pleasure and joy….Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the documentary Stage Left, A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: Center for Performance Research, Kunst-Stoff, TheatreFIRST, Stephen Pelton Dance Theater, North Bay Shakespeare. US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress, on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays. Current projects include Tie It Into My Hand, a documentary feature about the artist's life, and Heaven Descending, a novel. Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.

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