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Saturday, June 4, 2011

April 5: Tuscarora


Driving instead of flying means you can bring more than one carry-on.

I spent some time in the last few days thinking up new names for the blog. "Paul Festa's Inability to Commit" was one; "Paul Festa's Sporadic Contribution to the Global Problem of Information Overload" was another. I was trying to think of a way to avoid boxing myself in to a commitment as foolhardy as "giving you fever every Monday in 2011" and finally decided it would be easier to just update the blog than to rename it. As it happens the archive is brimming with new material, thanks to the recent travels that prevented me from updating this in the first place. New blog resolution: keep it short, screw Mondays.


First stop (April 5th) was Tuscarora, NV, where I stayed up late with the painter Ron Arthaud reminiscing about Juliette. As the evening wore on I began feeling a little woozy and went to my bed downright feverish. It was a strange fever, which felt concentrated in my muscles so that if I stretched very hard the feeling was relieved, somewhat, so I stretched this way, and that way, arms and lower back and neck and hands and legs and then I started over again, because every time I stopped stretching that feverish feeling became oppressive, like it was tightening me up into an undifferentiated mass the size of a billiard ball. If I wanted to remain differentiated, I had to stretch. So I stretched, and kept stretching, until finally, about 90 minutes into this, I realized, darling, Scribble, you're not stretching. You're writhing. 

Tuscarora Community Center and Tourist Information Office


Greater Tuscarora


Leaving Tuscarora - view of Wheeler Mountain (?)

1 comment:

Lee Becker said...

Makes me want to look at New Mexico again;
great photos!--I'll be in San Francisco from the 22nd of June through most of July! ---Lee, proud mother of Dan,

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des R├ęcollets.

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