Wednesday, March 26, 2008
Wednesday and Thursday
When I lived in New York in the early 90s, one of the downtown acts that made the biggest impression on me was the chanteuse Joey Arias. She didn't just channel Billie Holiday, she sometimes surpassed her. Earl Dax has her in town tonight with some local talent and you should not miss this show:
Tingel Tangel Club
Wednesday March 26th, 2008 10p - 3a
The Bubble Lounge, San Francisco
714 Montgomery Street (btw. Jackson & Washington)
Admission is $10
Live performance by JOEY ARIAS!
DJ Johnny Dynell (Jackie 60, BoyBar)
Hosted by Chi Chi Valenti (Mother, Click + Drag)
Featuring SCOTTY THE BLUE BUNNY - GLAMAMORE - FAUXNIQUE
Visuals by ENGLISH KILLS
Basement Level PIXIE HARLOT LAIR
I'm reading with Violet Blue, Amy André and Melissa Gira from Best Sex Writing 2008
March 27, 2008 07:00 PM - 09:00 PM
Center for Sex and Culture1519 Mission St., Suite 2San Francisco, CA 94103
I'll be reading my essay "How Insensitive," about my experience volunteering for a study that set out to measure just what is lost in male circumcision.
- Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”—The New Yorker; “Stunning”—Chicago Sun-Times; “Sublime”—Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."—San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.
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