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Tuesday, May 19, 2009

Momblog: Momslide!



Results are in
from the United Educators of San Francisco internal election and Linda Festa Plack (a.k.a. Mom) has been resoundingly returned to the office of Executive Vice President for what, the third time? Hey, Mom, ever heard of this thing called retirement? Country house, book clubs, Israeli grandchildren--no. The voters have spoken and 61 percent of them have said no book club, at least not for another three years, and 61 percent is even better than this guy managed:



Actually more impressive than the margin of victory is the electioneering propaganda. After I read this, I might have even voted for these guys.

Mom, Dennis--congratulations and keep up the good work.



1 comment:

D said...

Dear Paul,

Thanks for including me in the MomSlide.

Three re-elections, four challenged elections, and the Lady rides her courser through them all leaving crushed and mangled bodies in her wake. They all think that they can challenge her, but none has yet come back from the attempt. Better yet, you should have heard the Lady vanquish her challenger in the Fabulous Face-off Forum.

And thanks for the nod to the lit. I hope you saw the second major piece and the topic-specific ones that came in between.

About Me

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des R├ęcollets.

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