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Monday, January 3, 2011

Man is born free and yet my mother is in chains

On Tuesday, August 26th, 1980, six San Francisco feminists, dressed in white, marked the 60th anniversary of women's suffrage in the U.S. by chaining themselves to the Pacific Stock Exchange to protest economic discrimination against women. This act of civil disobedience didn't succeed in getting them arrested, but it did get them into the papers, along with their message: American society discriminated against women in the workplace, paying them 59 cents for every dollar a man earned for comparable work (31 years later, that's up to about 80 cents, with the disparity worse then as now for women of color). Big business, in 1980, was lined up solidly (and successfully) against passage of the Equal Rights Amendment, just as, 60 years prior, major industrial interests opposed women's suffrage. In 1980, twice as many women as men lived below the poverty level. 

My mother, then Linda Festa and now Linda Festa Plack, was one of the women who chained herself to the exchange. For this inaugural post of Paul Festa's Archive Fever, I've dipped into her archive for photos, press clippings and flyers documenting the action. Of special note is her letter to the editor published in the San Francisco Examiner defending the boycott of states that had not passed the ERA. I had Section 1 of that amendment memorized as a child, and still do: "Equality of Rights under the law shall not be denied or abridged by the United States or by any state on account of sex." Funny how a eight-year-old boy could get his mind around the ERA, but the US still hasn't 88 years after it was proposed and nearly forty years after it passed both houses of Congress.

Linda Festa chained to the Pacific Stock Exchange - news story by San Francisco Examiner

Upper left: Linda Festa; upper right: Sylvia Weinstein

Upper left: Sue Eckberg

Upper left (center of photograph): Linda Festa

Letter to the editor, San Francisco Examiner, by Linda Festa (ca. fall 1980)

1 comment:

Anonymous said...

Dear MomBlogMan,

I look forward to reading the further adventures of Mom in defense of justice:
Mom and the GWHS rally;
Mom vs School District:"Settling the Contract"
Mom fights for pensions for paraprofessionals;
Mom puts educator housing on the map

Then come the SuperMom comic books, the play, the musical and the movie.

L. Viejo

About Me

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des Récollets.