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Thursday, January 3, 2008

Copybitch: CNN vs. "Guiliani"

I have this bad habit of sending in corrections to online publications. Sometimes I get a thank-you email, sometimes I don't. Often I have to search around the site to find the email of someone in a position of copy responsibility. No more.

Introducing Copybitch, a new feature of this blog that will attempt to raise awareness of proper grammar and correct spelling while covertly hoping one of these publications will start offering me copy bounties to keep these things quiet.

Note to CNN: In Italian, g before the vowels a, o, or u is a hard g, as in "gumba." To make a soft "j" sound, as in "Giuliani," you need to add an i to soften it, but BEFORE the u. Conversely, to harden a g before i or e, add an h, as in "Ghirardelli."

Dying Iowa voter grills candidates on health care
http://www.cnn.com/2008/HEALTH/01/03/dying.voter/index.html

Stangl says she's been disappointed by many of the Republican ideas on this issue. In fact, she says Rudy Guiliani and Mitt Romney "blew her off" when she approached them about it.

"Guiliani said to me that health care is good, everybody likes good health and health care is good -- some variation of that I've played over and over again in my mind, without giving me any specifics," she told CNN.

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des R├ęcollets.

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