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Tuesday, January 6, 2009

Indulge me - I offset my carbon


One of the amazing things about the Academy of Sciences, which James and I visited on our daylong fifth-and-sixth-anniversary celebration, is how hard they're pushing a climate change message. You couldn't turn around in the joint without another reminder - and the Morrison Planetarium was no exception. Even when the subject was ostensibly outer space, they hammered home the point that we are making the planet uninhabitable. I don't know whether I was more impressed by the degree to which they stayed on message, or bummed out by it.

In any case it was a good kick in the pants for me to offset the carbon I'm going to spew into the atmosphere with my next four months of flying - short of your own personal nuclear waste spill, the very worst thing you can do to the environment is to get on an airplane. One of the reasons I have postponed doing this is that there are so many offset schemes out there I couldn't find the time to research and decide among them. So I chose an offset outfit the way I often choose elected officials or positions on ballot propositions - I consulted the experts, in this case the Sierra Club, which recommended a business called NativeEnergy. According to NativeEnergy, here's the damage I'm about to do between tomorrow and May 7:

TOTAL: 7.441 tons
CO2 from flying 18,216.44 miles

From San Francisco, CA to Frankfurt, Germany
5,681.49 miles

From Frankfurt, Germany to Paris, France
297.27 miles

From Paris, France to Riva, Latvia
965.54 miles

From Riga, Latvia to Tel Aviv, Israel
1,795.31 miles

From Tel Aviv, Israel to Madrid
2,203.67 miles

From Madrid to Chicago, IL
4,182.93 miles

From chicago, IL to Nashville, TN
398.28 miles

From Nashville, TN to Cincinnati, OH
238.21 miles

From Cincinnati, OH to Cleveland, OH
223.05 miles

From Cleveland, OH to Las Vegas, NV
1,831.18 miles

From Las Vegas, NV to Oakland, CA
399.5 miles


Total cost - 50% efficiency and 50% biomass - $112.

I understand the argument that I'm paying what amounts to an "indulgence," but the fact remains that not taking this paying residency or visiting my sister and meeting my newborn niece or not taking the Ohio gig aren't options I'm able to consider. From one perspective I could argue that two weeks in Tennessee are optional, but in fact that trip prevents me from flying back to the west coast and then round-trip to Ohio for the Oberlin screening May 5th. In any case, I'm glad to be no longer doing absolutely nothing to ameliorate my impact.

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Paul Festa’s first film, Apparition of the Eternal Church (2006, 51 min), captures the responses of 31 artists to the apocalyptic music of Olivier Messiaen (with Justin Bond, John Cameron Mitchell, Harold Bloom; screenings: Grace Cathedral, Barbican Centre, Library of Congress; “Remarkable”The New Yorker; “Stunning”Chicago Sun-Times; “Sublime”Globe & Mail; numerous awards). Festa performs the Tchaikovsky violin concerto, opposite members of the San Francisco Ballet and The Cockettes, in his award-winning second film, The Glitter Emergency (2010, 20 min), a silent-film drag ballet comedy (“Enormous visual and musical inventiveness…full of pleasure and joy...Festa gives a bravura performance."—Film Threat). He produced, wrote and edited, with director Austin Forbord, and was chief archivist, for the Emmy-nominated documentary Stage Left: A Story of Theater in San Francisco (2010, 80 min: with Robin Williams, Bill Irwin, Peter Coyote; screenings: Geary Theater, KQED; “Intriguing...entertaining...a valuable record”—Variety). Performances as violinist and actor: ODC Theater, Center for Performance Research, Kunst-Stoff, TheatreFIRST, North Bay Shakespeare, Albert Fuller's Helicon Ensemble (Merkin Hall, Weill Hall at Carnegie Hall, Alice Tully Hall). US, Boston, NYC, SF, LA and DC (Coolidge Auditorium at the Library of Congress on the “Betts” Stradivarius) premieres of Messiaen’s Fantaisie for violin and piano. He is the author of OH MY GOD: Messiaen in the Ear of the Unbeliever, based on Apparition of the Eternal Church, and several anthologized essays, and has written for The Daily Beast, Salon, Nerve, and The New York Times Book Review. Current projects include a novel and Tie It Into My Hand (2014, ca. 80 min), a documentary feature that has screened as a work in progress at the Cannes film market and at ODC Theater in San Francisco (with Alan Cumming, Gary Graffman, Peter Coyote, Mink Stole, Robert Pinsky; "A fascinating exploration of the artistic life, as rollickingly entertaining as it is insightful and stirring."San Francisco Bay Guardian). Education: Yale (B.A.; prizes, honors, distinction), Juilliard (Cert., Adv. Cert., scholarships). Residencies: Yaddo, MacDowell, ODC Theater, Centre des R├ęcollets.

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